Introduction What Is a Golden Age? When applied to popu­lar culture, and specifically tele­ vi ­ sion, a “golden age” refers to a period of years, and sometimes de­cades, during which the medium is changed in significant ways. The nature of ­ these changes can vary, including the creation of such new storytelling genres as the televi­ sion drama, the innovation of new technologies like cable networks, and shifts in certain viewing practices as online streaming. The first “golden age” of tele­ vi ­ sion began in 1949 and ended around 1960.1 The era was defined to a large extent by the anthology drama, a form of entertain- ment that engaged the growing number of Americans whose homes now included a tele­ vi ­ sion set. Using a rotating, rather than constant, cast, anthology dramas showcased diverse storytelling, talented actors, and exemplary use of the new tele­ vi ­ sion format. Their production “resulted in a creative firmament for tele­vi­sion that many tele­vi­sion historians con- sider as yet unsurpassed.”2 Anthology dramas of the first golden age included Kraft Tele­ vi ­ sion Theater (1947–1958), Studio One (1948–1958), Armstrong Circle Theater (1950–1963), The Hallmark Hall of Fame (1951–­present), and Alfred Hitchcock Pre­sents (1955–1962).3 ­These classic shows, and ­others like them, ­were marked as shining stars of the time period. Not all programs during ­these years ­were so favorably reviewed, however. In 1961, the then chairperson of the Federal Com- munication Commission (FCC), Newton Minow, expressed a more critical sentiment about tele­vi­sion content when he delivered what is commonly referred to as the “vast wasteland” speech to the National Association of Broadcasters. Although Minow highlighted a few worthy programs in his address, his chief argument was that the majority of tele­vi­sion
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