Contents Acknowledgments ix Introduction xiii Chapter 1 Editing Choreography in an Autobiographical Film: All That Jazz 1 Chapter 2 The Ultimate Period Film: Barry Lyndon 14 Chapter 3 The Origin of the Creative Jump Cut: Breathless 27 Chapter 4 Surrealism David Lynch Style: Eraserhead 36 Chapter 5 Nonfiction, Diary, Essay Filmmaking, and Editing as a Magician’s Tool: F for Fake 45 Chapter 6 Remakes: The Flight of the Phoenix (1965), Flight of the Phoenix (2004) 54 Chapter 7 The Documentary as an Investigative Tool: Gimme Shelter 67 Chapter 8 Time and Space: Hiroshima Mon Amour 75 Chapter 9 Fantasy as Reality: King Kong (1933) 85 Chapter 10 Destruction of the Well-Made Hollywood Movie: The Last Movie 96 Chapter 11 The Adult Film as Art Film: The Lickerish Quartet 106 Chapter 12 Birth of the Independent Cinema: Little Fugitive 121 Chapter 13 Parallel Storytelling, Character Connections: Magnolia 131 Chapter 14 Mental State as Narrative: Memento 143
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