Acknowledgments I would like to begin by extending my deepest gratitude to the many indi- viduals who offered me their guidance and support during the prepara- tion of this manuscript: Annette Insdorf, Columbia University Benjamin Madley, University of California, Los Angeles (UCLA) Erin Ryan, ABC- CLIO Hanay Geiogamah and Pamela Grieman, American Indian Studies Center, UCLA John Belton, Rutgers University Karl Jacoby, Columbia University Marc Wanamaker, Bison Archives Paul Kroskrity, UCLA Robert Y. Shapiro, Columbia University and Roger Leatherwood, UCLA Instructional Media Library. I am also indebted to the following individuals and institutions: Bar- bara Landis, Cumberland County Historical Society Ben Harry, Cecil B. DeMille Papers David Lee Smith, Winnebago Tribe of Nebraska Darryl Mork, Darryl Mork Talent Management Heather Hull, Yakama Nation Museum & Cultural Center Jennifer Holt, Will Rogers Memorial Museum Collections John Cahoon, Seaver Center for Western History Research, Natural History Museum of Los Angeles County Karen Dearlove, North Vancouver Museum and Archives Kathy Klump, Chiricahua Regional Museum and Research Center Howard Prouty, Louise Hilton, and Tony Guzman, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences Martin Gostanian, The Paley Center for Media Nancy Brown- Martinez, University of New Mexico Center for Southwest Research Ned Comstock, University of Southern California, Cinematic Arts Library Paul Spitzzeri, Workman and Temple Family Homestead Museum Rene Haynes, Rene Haynes Casting Sally Newland, Amerind Museum Tawa Ducheneaux, Oglala Lakota College Mark Quigley, UCLA Film & Televi- sion Archive Thanthony Cooper, Interlibrary Loan Service, California State University, Long Beach and Valerie Yaros, Screen Actors Guild- American Federation of Television and Radio Artists.
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